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A woman with short hair and glasses speaking into a microphone

‘Mainstream’ media has not yet clocked the seismic cultural significance, for autistic audiences, of Hannah Gadsby’s newest show, Douglas. A lofty but quite oblivious New York Times review by Jason Zinoman misses the mark, because the reviewer seems to have no knowledge of autistic culture. 

A person walking away from the viewer in a wooded landscape with river

(a review)

Illuminating the Wilderness is about everything while appearing to be about nothing much, if you choose not to enter into its world. It’s about noticing people who notice things. It’s about paying attention.

Sonia Boue Studio.jpg

Business of Art:
Neurodivergent Artists Build Community

Network ableism in my experience is the assumption that social privilege (ability) is a baseline we all have access to if and when we want it. Because most opportunity in the arts involves some networking, this is a serious access issue for us. 


Sonia Boué is an Anglo-Spanish multiform artist. Her practice is concerned with a legacy of exile, leading to a growing body of work which relates to the Spanish Civil War, 1936-1939.


In 2015 she was recognised by researchers at Tate Britain as a singular voice responding to this history within a British context.

A pen and ink cartoon of a child looking at a very small woman

Get networked in!
Autism and systemic ableism in the arts.

My name is Sonia Boué and I’m an autistic artist. I’ve had a lot of luck in my career lately –  which has largely come about using my own autistic methods and working with two truly wonderful mentors. On the face of it I look pretty networked in, but most of my opportunities have come from sharing my work and ideas online.

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